I girasoli (1970)

English title: Sunflower

Italy, in the days of World War II. Antonio meets Giovanna and during a few days they love each other. Antonio is due to embark to the Russian front, and Giovanna suggests they get married so he gets a few more days in Italy.

Not especially plausible tearjerker. The central plot points are exceedingly simple, yet often get, all the same, spelled out in the form of casual dialogue or lengthy explanations given by characters to each other. It has a very melodious yet a tad overbearing score, and location shooting in the Soviet Union. Speaking of which, how about some History to wrap this review up? As is becoming a habit of mine, I pulled it from the user review section in IMDB, where Mihnea the Pitbull writes the following:

[quote]
(...) Fact is that it's literally IMPOSSIBLE for any missing-in-action Italian (or German, if we come at that) soldier, to have been cutely integrated in the Russian society. The N.K.V.D. was everywhere, and any such foreigner would have been found in a matter of weeks (months, at most), and treated like a spy. The Georgian Butcher was reserving the same fate even to the Russian soldiers who fell prisoners to the enemy: his paranoia dictating that the only explanation for having survived was defection, they were considered by default traitors and sent to the Gulag. So, our poor Mastroianni here, far of happily living ever after with Savelieva, would have been deported to Vorkuta or Ekibastuz, as a spy, for 10 years (or, rather, 25 - these being the standard imprisoning terms). After being released (in case he survived the abuses of the extermination camps), he would have been forced to live in exile (forced domicile), still in some village of Siberia or the Central Asia deserts. No way in hell for him even to travel in some other Russian township, close by - while the idea of coming back to Italy for a visit is as ludicrous as sending him to Mars.
(...)
[unquote]

I saw a cut version, dubbed in English.

Rating: 45