Mourir d'aimer... (1971)

 English title: To Die of Love

In 1960s France, a female teacher enters into a romance with one of her high school students. His parents don't approve of the relationship, and throw the book at the teacher (not literally, of course, that would be too cruel!).

While apparently it is fairly faithful to the real events which inspired it, there is at least one minor detail which, in my opinion, makes an important difference: in real life the student was 16, but the actor who plays him was 21 at the time of filming (the woman, on the other hand, was younger than the actress who plays her, for what it's worth). So, film viewers do not get the real picture, no matter how factually precise the film is. Aside from this, it is a clearly biased film, and, to be quite frank, a somewhat tedious viewing experience.

Rating: 40

Total Recall (1990)

 Third viewing; previously viewed on January 2, 1991 and July 20, 2001.

A construction worker has recurring nightmares about Mars; he undergoes a memory implant procedure which goes wrong, and after which he is hunted by some agents linked with the Martian government.

Sci-fi action thriller with an imaginative plot and very vivid imagery with an emphasis on violence. It is an engaging film, albeit a slightly disturbing one; the leftwing orientation of its storyline contrasts with stylistic elements wich are more commonly associated with the Right. Christopher Mulrooney's short analysis calls it "Borgesian", presumably because of its parallels with Theme of the Traitor and the Hero.

Rating: 73 (up from 67)

Take a Hard Ride (1975)

 Here's the IMDB synopsis: "After selling his cattle in town, ranch owner Morgan unexpectedly dies, and his foreman Pike has to deliver the payroll to Sonora, despite the perilous journey during which he's followed by many shady characters who want the money."

Undistinguished Western whose only notable feature is its cinematography.

Rating: 16

The Survivors (1983)

Second viewing; previously viewed between 1983 and 1986.

The paths of two men cross in the same day they both lose their respective livelihoods. One of them is a calm, pragmatic man; the other is the opposite of that and decides to become a survivalist. To make matters worse, an assassin is out to get them because they could implicate him in a murder.

Passable satire of rightwing ideology which is slightly better in the first half than in the second.

Rating: 52 (unchanged)

Fontane Effi Briest (1974)

English title: Effi Briest.

A woman married to a man much older than her has an adulterous affair. The husband finds out about it years later.

This literary adaptation was filmed in a distanced way with lots of voiceover narration. It seems the filmmaker was trying to convey a sense of the protagonist's loneliness, and of the sterility of 19th-century bourgeois conventions. I'm not sure he was successful, though. Perhaps it would have been preferrable to let that effect emerge out of the situations themselves. Anyhow, although the result was curious and occasionally hilarious, the overall effect was of slight annoyance.

Rating: 45

Schindler's List (1993)

Second viewing; previously viewed on March 19, 1994.

The story of a man who employed Jews during World War II, thus saving their lives.

While perhaps not as great as I thought upon my initial viewing, this is definitely a well-made film, both in terms of writing and of realization. According to some pieces I've read, there are some historical inaccuracies in it, but I don't think they are enough to detract significantly from it.

Rating: 64 (down from 69)

Anna Karénina (1935)

 Second viewing; previously viewed on September 10, 2000.

In 19th century Russia, a married woman with a young son meets an officer and starts an affair with him. Since her husband will not give her a divorce, she faces a difficult decision.

The novel -- or its plot anyway -- is so well-known that it is perhaps futile to dwell on it; this concise adaptation is very well-filmed -- the ball sequence is a particularly remarkable highlight, well filmed and well staged. One curious aspect is that with every passing day this story becomes more dated, and yet interest from audiences lingers on, as successive adaptations attest to.

Rating: 64 (unchanged)