Ex-convict and child prodigy in tap dancing tries to make an artistic comeback, but must resist the lure of his former partners in crime.
Exceptionally conventional drama which has the dubious glory of introducing the concept of taptronics -- electronically enhanced tap dancing to rock music. Anyway, the main dramatic point is insurance fraud, which I think was specifically chosen for being considered by many to be a lesser offense from a moral perspective. This is a film made by a white (Jewish?) man about blacks in situations which would be, from what I gather from news and fiction, not foreign to blacks in America. It doesn't play the race card explicitly, though -- perhaps because it was made by a white, perhaps Jewish, man. And it has an ending which is supposed to be upbeat, but leaves one wondering.
Rating: 34
Thursday, July 13, 2017
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