In the 1950s, magic becomes a common practice in Hollywood. A crooked senator opposes it vehemently. A private detective who refuses to use it is hired by a starlet to spy on her unfaithful producer husband. The two story threads intersect when the latter character is murdered.
Apparently, this is a silly movie. They have taken the titular figure of speech and de-figured it, that is, played it to its literal meaning in the same historical context. Christopher Mulrooney points to a second metaphor, namely, digital visual effects, of which this film gives abundant display.
Rating: 32
Sunday, April 09, 2017
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