Kidnapped (1960)

Based on the novel by Robert Louis Stevenson (1st published in 1886).

Scotland, the eighteenth century. After his father dies, David leaves his native city. He carries a letter written by his father to the latter's brother, to be delivered by David. But this is only the starting point to a series of adventures.

Coming-of-age here means finding out about one's duality, and the world's, Robert Louis Stevenson's perpetual theme. What meaning can these ancient monarchical rivalries hold to present audiences? Probably none, but perhaps that is the point: structure is placed above meaning. Does the film work these ideas out satisfactorily? Alas, I did not think so.

Rating: 42